Analytique sound space and its arabesques

In 1956, Jung suggested music be integrated into analytic work, because it touches on deep archetypal contents. If one’s ear is unencumbered by representations, analytical work can depart from the sound substance constituted by the vocal movements of the analyst and analysand during a session. Leading to a particular form of regression of the sound environment, this material makes it possible to structure a living rhythmic capacity on the basis of what used to be sound chaos.